Attend the 4th annual MSU Juneteenth Commemorative Celebration on Friday, June 14, 2024, from 5 to 8:30 p.m. at the Breslin Center. Doors open at 4:30 p.m.
This year's theme is Acknowledging the Journey: Freedom, Resilience, Empowerment and Liberation.
The commemoration features the multi-faceted musician and host Rodney Page, gospel music by Gregory D and Company, jazz music by the MSU College of Music, "Lift Every Voice and Sing" by Phoenix Miranda and more.
Students, staff, faculty, alums and local community members are encouraged to register for the celebration. There are activities for all ages. This event will not be livestreamed.
Join us for dinner, served from 4:30 PM to 7:30 PM on a first-come, first-served basis. Please hand your meal ticket, which you will receive upon check-in on the event day, to a volunteer to access the buffet line. Food will be provided by MSU's Kellogg Catering and a local Black-owned business, Sweet Encounter.
Entrees: Southern fried catfish nuggets, oven-baked BBQ chicken and karma cauliflower curry (vegan).
Side dishes: Angel eggs, macaroni and cheese, collard greens (vegan) and corned muffins (vegan).
Beverages: Sweet hibiscus tea and bottled water.
Desserts: Red velvet mini cupcakes (gluten-free), mini sweet potato pies (vegan), mini cheesecake with cherries, cherry jubilee ice cream.
Registration is encouraged to let us know you are coming!
Artwork: "Black Banner" by Morgan Renee Hill, 2024
Born and raised in Baltimore County, Maryland, Morgan Renee is an abstract artist who experiments with oil paint, charcoal and ink. With a multidisciplinary background, her conceptual interests range from illegibility to linguistics, invisibility, contrasts between ephemerality and temporality, geography and most importantly - spontaneous discovery.
Morgan Renee holds a bachelor of fine arts in painting from Towson University and is a master of fine arts candidate at Michigan State University in studio art. She will graduate in May 2025. Her current body of work cultivates a social practice that reflects her experiences of the everyday with her surrounding communities. She completed her solo exhibition, “Traces of Everyday,” this past November.
Black Banner (2024) is a physical documentation of rituals as a Black individual. This project uses ink and resistance techniques that represent themes of illegibility and legibility. By taking an independent study in the linguistics of Ebonics this past spring semester with Dr. Denise Troutman, I have gravitated toward what words mean to specific groups of people. The word “black” was used visually as a starting point to create an abstracted ground, or foundation, to build upon the surface of the work. By abstracting “black” into a stencil, the quadrant placement in Black Banner became reminiscent of a logo or even a family emblem. I encapsulated the joy that I felt when thinking of Blackness by playing hand games like “Miss Mary Mack” and generating a visual impression of the gestures received repeatedly with the paper attached to the wall. The surface, yupo paper, is a plastic-like surface that allows for the oils to remain on the surface. My hands were covered in coconut oil while touching the paper and this material symbolizes the act of wordlessly taking excess lotion from a familiar extended hand. If you know, you know.
Then, washing ink over the paper's surface renders the invisible as visible marks. The range of values that come from just using black ink reflects the notion that Blackness is not a monolith. In time, I came to realize I was not only representing a community through such gestures, but I was also representing my perspective as a Black individual, interpreting the way I see the communities I have interacted with. With the support of people from my hometown, Baltimore County, Maryland, and now the Greater Lansing area, their presence is a direct collaboration of my spontaneous process. I will continue to explore my intersectional identity in an ever-present presence of myself by cultivating a specific codex to respond back to my community.
Tim Fielder, a graphic novelist known for works such as Matty’s Rocket and Infinitum, is adapting W.E.B. Du Bois’s “The Comet,” an early 20th-century short story recognized today as one of the earliest Afrofuturist stories.
Professor of English and the Val Berryman Curator of History at the MSU Museum, Julian C. Chambliss, will bring the Carnegie Hall featured artist to MSU for a special Afrofuturism exhibit at the Breslin Center event. Visitors will have the opportunity to meet Fielder and learn more about “The Comet,” due out in fall 2025.
Fielder was featured in Afrofantastic: The Transformative World of Afrofuturism, created by Chambliss in 2023.
"An Optimistic Path," 2024, by Rageon Thomas, bachelor of fine arts student in graphic design.
On June 19, 1865, two-and-a-half years after the Emancipation Proclamation orders were given to free the over 250,000 African American slaves in Texas who had not yet been informed of the decree. Juneteenth, short for June nineteenth, is the oldest known celebration commemorating the ending of slavery in the United States.
A century and a half later, Juneteenth is not taught in schools or widely known. MSU recognizes the importance of celebrating the full history of the U.S. so that everyone receives the recognition they deserve as builders of a great nation.
June 17 - 21, MSU Libraries main lobby
MSU Libraries Staff Summer Series presents a celebration of Juneteenth installation.
April 5 - July 19, MSU Union Gallery
MSU Museum hosts an exhibition exploring the theoretical connections between quilts/quiltmaking and Afrofuturism.
Delta Township Juneteenth events
Meridian Township Juneteenth Over Lake Lansing
Juneteenth - On June 19, 1865, two-and-a-half years after President Lincoln’s Emancipation Proclamation and a couple of months after the end of the Civil War, newly posted Major General Gordon Granger issued orders to free the over 250,000 African American slaves in Galveston, Texas, who had not yet been informed of the new law. Juneteenth is considered the oldest known celebration commemorating the ending of the enslavement of African Americans and Black people in the United States.
Although, Juneteenth has been celebrated since the late 1800s, it was not federally recognized as a national holiday until June 17, 2021, when President Joe Biden signed a bill officially designating June 19 as a federal holiday commemorating the end of slavery in America.
Afrofuturism - The cultural aesthetic, philosophy and movement that explores the intersection of the African/Black diaspora with the alternative visions and imaginations of Black liberation.
African/Black diaspora - The descendants and global community of Black West and Central Africans who were enslaved and shipped to the Americas via the Atlantic slave trade between the 16th and 19th centuries.
Black National Anthem - 'Lift Every Voice and Sing' (poetry and lyrics) by James Weldon Johnson
Black Wall Street - Also known as the Greenwood neighborhood in Tulsa, Oklahoma, where in the early 20th century African Americans created a self-sufficient prosperous business district that was destroyed in 1921 due to racial violence.
Green Book -The Green Book was a travel guidebook specifically designed for African American travelers during the era of racial segregation in the United States. View the MSU Green Book.
Harlem Renaissance - The Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s.
Idlewild - Idlewild, or the "Black Eden of Michigan," was one of the few resorts in the country where African Americans could safely vacation from 1912 through the Civil Rights Act of 1964.
Freedom - the power or right to act, speak or think as one wants without restraint.
Liberation - securing equitable, social, economic and judicial rights.
We thank our many sponsors for contributing funds to support the MSU Juneteenth Celebration:
Broad College of Business, Capital Area Transportation Authority (CATA), Case Credit Union, Clerical-Technical Union of MSU, College of Agriculture and Natural Resources, College of Communication Arts and Sciences, College of Education, College of Engineering, College of Human Medicine, College of Music, College of Natural Sciences, Department of History, Government Relations, Honors College, James Madison College, Michigan State University Federal Credit Union, MSU Libraries, Office for Civil Rights and Title IX, Office for Institutional Diversity and Inclusion, Office of Research and Innovation, Office of the Provost, Plante Moran.
Professional and support staff
Download the promotional kit
Program coordinator: bentley@msu.edu
Communications contact: mochidah@msu.edu